7 Tips For Producing Music and Recording With Vocalists

Grow your music career and feel comfortable working with professional singers

                    

I remember the first time I worked with a vocalist… it was challenging, exciting, nerve-wrecking, confusing, and a lot of other emotions in-between! It can seem a little scary going into it for the first time, or even after a dozen times because you never really know what you’re going to get out of it. Sometimes it works out great, other times you wish you never even contacted them (I know that’s bleak but I’m just being honest).

We want you to have positive experiences working with vocalists because being comfortable working with others in the music industry is extremely important. If you want to network and work with big producers, you should start to refine this skill set! 

So, here are 7 practices to take into consideration when working with vocalists in any studio situation.

1) Get To Know Your Vocalist

Like most people in this world, musicians perform better when they’re feeling comfortable. If they start to feel that they’re unsure about who they are working with, they’ll probably react in a way that worsens their performance. Nobody wants that! 

One great way to keep them confident is to familiarize yourself with your vocalist beforehand! Having a real conversation before you start recording can help you both feel comfortable working with each other. Chances are always better to create magic in the studio if you’re having fun. 

2) 5-6dB of Headroom

It is 1000x easier to bring up the volume on post-recorded vocals when they are sounding quiet vs. trying to reverse distortion out of vocals that were recorded in too hot. If your vocalist is “redlining” on your mixer, make sure to turn their incoming signal down.

A great way to bypass this all together is to test out how loud the signal coming in is before you even start recording. This is an easy way to stop potential headaches down the road. The last thing you want is to ask them to record a magical take again, or to come into an additional session because you dropped the ball on your volume settings. This makes you look extremely unprofessional and may even cost you some money. 

3) Know What You Want Beforehand


Do not go into the recording session blind on what you want the vocalist to do. Do not say things like “do whatever feels right.” Spend adequate time thinking about how you want your vocalist to sound on your track, and bring references of other songs to use as blueprints to better explain your position.

Know how many verses you want, hooks, if you want a bridge, harmonies, etc. Having a good idea of exactly what you want will show the vocalist that you’re a professional, and that you respect their time. 

4) Simple Processing While Recording


If you want to have basic compression or EQ on the vocals while you record, that’s fine. However, if you over do it with reverb, compression, EQ, or any other vocal processing effects and you don’t like the way it turns out, there’s not a lot you can do about that once the dynamics have been changed or are gone. You can easily add or take any audio effects post-recording, but you can’t reverse your processing once it’s printed.

5) Keep Their Confidence High (Don’t Say “But” or “I Don’t Like This”)


Circling back to point number #1… keep their confidence high!


If you’re unhappy about a certain part of the song, don’t say things like “this is terrible” or “I don’t like this part.” Instead, try saying things like “I love what you did here, can we try a variation of this to replace the bridge we have now?” Or, instead of saying “you don’t sound very good in the outro…,”  how about, “there’s a few sharp notes in the outro, would you rather do pitch correction or re-take the vocals instead?” Give your vocalist power and reassurance in their choices, and this will help you get along and create magic in the studio.

6) Provide Lyrics


This is commonly overseen, and it will make your workflow much faster if you already have lyrics, or at least some sketched out. Writing well thought out lyrics takes time, and this should be prepared beforehand so you don’t sit in the studio with a pen and paper struggling to get some words down. No one likes this.

7) Take Breaks


Like #6, this one is easily forgotten about. You don’t need to grind for hours on end to feel like you’ve done a good job. The vocalist you’re working with is only human, and will need to rest her/his voice to make sure they don’t risk overdoing it. Be okay with 15-20 minute breaks every couple of hours.

Breaks are especially helpful if you’re hitting creativity problems! The time you let your mind think about other things helps you recollect your thoughts and can help you move past creative blocks. 


Conclusion

 

Once you start to really understand the dynamic of teaming-up with singers, it can become a lot of fun! It’s so inspiring to watch vocalists work their magic, because like working with any other musicians out there – it’s all happening in real time. You get to witness true talent unfold itself right before your eyes.

If you haven’t worked with a singer yet, we highly recommend it. Get out there and expand your music career by reaching out to vocalists you’d like to collaborate with! 

Summary: 
1) Get To Know Your Vocalist
2) 5-6dB of Headroom
3) Know What You Want Beforehand
4) Simple Processing While Recording
5) Keep Their Confidence High! 
6) Provide Lyrics
7) Take A Break

Browse Cover Art
Need Your Song Mastered?
Get The Latest Updates

Subscribe To Our Weekly Newsletter

Keep up to date with everything we’re doing!

Social Media

About me

My name is Nick Voorhees, and i’m an Icon Collective graduate, music producer, and owner of Melody Nest. I am in no way an expert in music production (or in any field), but I just wanted to share some insight on what helped me along the way. I hope this is at least a little helpful.  

 

4 Essential Ways to Become A Better Music Producer

These 4 choices brought my music to the next level, and I hope they’ll help you too.

I Paid $500 Dollars And Waited 7 Months For A Bad Music Logo

A quick summary of one of my biggest mistakes when creating a logo for my music project.